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Likeness models, produced under contract

When a production needs a likeness model built properly, we build it: a professional crew, a purpose-shot dataset, and a consent record signed by every performer before a single frame trains. You contract the engagement. You pay up front. You get a model your production can stand behind.

There is no rate card — engagements are quoted per production. Start the conversation.

What you contract

One engagement, end to end: the shoot, the dataset, the training, the paper trail. Invoiced up front and quoted per production — scope sets the price, and the scope is yours to define.

Four stages, one production day

Every performer rotates through the same four stations. The day is planned before anyone is booked — call times, station order, and a meal break that genuinely stops the clock — because a dataset shot in a rush is a model trained on a rush.

  1. Stage A

    Orbit video

    A full 360° camera pass under controlled light — every angle of the performer, in motion, in one continuous take. The geometry of a face, captured on purpose.

  2. Stage B

    Beauty stills

    The still coverage the dataset calls for, shot in wardrobe blocks so outfit changes happen once per look instead of constantly. The expensive move on a set is the change, not the shutter.

  3. Stage C

    Portrait video

    Locked-off talking pieces and movement work — the material that teaches a model how someone actually speaks, gestures and carries themselves, not just how they photograph.

  4. Stage D

    Voice booth

    A scripted session, recorded clean. What her voice may be used for is gated by her own consent record, like everything else on the day.

The terms, stated plainly

This is not the funded-campaign path our talent uses — it is a contracted production engagement, and it runs on production terms. Here they are, before anyone's time is spent.

  • Paid up front

    The engagement is invoiced and settled before the first call time. This is a premium service and it is structured like one — nothing is shot on spec, and nothing is owed after the fact.

  • Quoted per production

    No rate card. Performers, stages, deliverables and timeline set the scope, and the scope sets the quote. Two productions never cost the same because two productions never are the same.

  • No comps

    No entertainment, no hospitality — no dinners, no club nights, no courtesies to be traded on later. The engagement buys production, and production is all it buys. Talent per diem and accommodations sit on your side of the ledger.

  • Production extras, at a premium

    Craft services, meals and catering on our set are arranged by us — outside caterers, brought in, and billed at a premium on your invoice. If we are feeding your production, it is done properly and it is priced accordingly.

One thing money does not change: the performer's consent record, her revenue share on platform generations, and her right to narrow or withdraw are identical whether her model was fan-funded or production-contracted. You are buying the engagement — never her signature.

Start an engagement

Bring us the production

Tell us what you're making, how many performers, and when. We come back with a scope and a quote — per production, as everything here is.

Come with the expectation that every performer signs the platform's consent record directly before anything trains. That is not a hurdle we will negotiate away — it is the reason to hire us.